Google honors Anna May Wong with Doodle

In 1922 Anna May Wong starred in an early color film, “Toll of the Sea.” The film’s plot is a variation on the opera “Madame Butterfly.” A sailor returns to reclaim his son with a new bride.The library has this and five other films of the actress in our circulating collection.

Dead Man Walking

is one of the most acclaimed operas of the 21st Century. Now onstage at Chicago’s Lyric Opera in a new production, the cast includes mezzo-soprano Susan Graham who originated the lead role in the 2000 premiere production. The library collection contains the source of the story, Sister Helen Prejean’s 1993 memoir of the same title… Continue reading Dead Man Walking

Why would this seemingly loving family “fake” a wedding?

And why do they appear so grim about it? For the answer see The Farewell in theaters now or listen to writer/director Lulu Wang’s real-life story that inspired the film on a segment of This American Life For another ‘faked’ Chinese wedding, check out award-winning director Ang Lee’s first feature film The Wedding Banquet (1993)… Continue reading Why would this seemingly loving family “fake” a wedding?

Asian Images in American Film pt.3 1982-1998

1982 is a watershed year in Asian-American cinema as Wayne Wang’s low-budget film Chan is Missing becomes an art house success and launches his directing career, including The Joy Luck Club (1993).  Bernardo Bertolucci’s international production of The Last Emperor (1987) brings western attention to several performers including Lisa Lu, Joan Chen and John Lone.… Continue reading Asian Images in American Film pt.3 1982-1998

Asian Images in American Film pt. 2: 1919-1980

Despite the early success of Anna May Wong and Sessue Hayakawa in silent film  [See http://ext.morainevalley.edu/librarynews/?p=1982],  few significant roles were created for Asian performers and often large roles went to heavily made up non-Asian performers. This practice came to be known as ‘yellowface.’ Examples of this in the collection include: Richard Barthelmess in Broken Blossoms… Continue reading Asian Images in American Film pt. 2: 1919-1980

Native Americans and American Film: 100 Years cont’d

1975’s One Flew Over the Cuckoo’s Nest is a landmark in American film as Native-born actor Will Sampson was cast in a significant role as a Native American. His success in film and television marks a turning point for Native and First Nations performers. Director Michael Apted’s Incident at Oglala [documentary] and Thunderheart [feature film]… Continue reading Native Americans and American Film: 100 Years cont’d

“A long time ago in a galaxy far, far away…long before ‘glee’ “

The young Mickey Rooney’s answer to all problems was, “Hey kids, let’s put on a show!” The library collection contains 4 of what MGM deemed his “Backyard Musicals”: Babes in Arms (1939) Strike Up the Band (1940) Babes on Broadway (1941) Girl Crazy (1943) In the Greatest Classic Legends: Mickey Rooney & Judy Garland set.… Continue reading “A long time ago in a galaxy far, far away…long before ‘glee’ “

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